Two recent features on the fifty-year arc from darkroom to display — Kodak’s early digital era, and the art that came after.
A profile tracing Peter’s path from a hand condition that pushed him away from the pencil and toward the Macintosh mouse in 1984 — through his years inside Kodak’s digital imaging division alongside Steve Sasson, and on to the sculptural, 3D-printed work he makes today.
Read the feature on AATONAU
An interview built around a single afternoon in a Rochester Apple store — the discovery of the mouse that let Peter keep creating through fibromyalgia. It follows his quiet fight for digital photography inside Kodak, his Maine-rooted Virtual Visions series, and his current curiosity about AI and immersive display.
Read the feature in Life in the Finger LakesMore on the Kodak years — including “Witness to a Revolution” — under Digital History.